Through Dad’s Own Lens

Robert Harvey Newton, 1970s. Original black-and-white self-portrait photographed and developed by Robert Harvey Newton (left); AI-assisted digital restoration and interpretive colorization (right). The restored composition includes generative background extensions.

Sometime in the 1970s, Dad set his 35mm camera on a desktop tripod, stepped in front of the lens, and took his own picture. Long before smartphones made selfies an everyday occurrence, he was experimenting with a camera, capturing a moment of himself on film.

What makes this photograph especially meaningful is that Dad didn’t just take the picture—he developed it himself. From setting up the camera to processing the film, this was a photograph he created from beginning to end.

There’s something special about seeing him this way. Most of our family photographs show people as someone else saw them. This one shows Dad as he chose to photograph himself.

Restoring the Photograph

The original 8 x 10 black-and-white photograph had accumulated the familiar signs of age, including dust, surface blemishes, and uneven lighting. Some of the finer details were difficult to distinguish.

For the AI-assisted restoration, I cleaned up the visible imperfections, cropped the traditional white borders, corrected the lighting, improved the apparent sharpness, and colorized the photograph. The colorization is a modern interpretation rather than a documented record of the original colors—although I remember this particular shirt, and ChatGPT is spot on with the colors!

The restored version also includes AI-generated background extensions to accommodate a wider composition. These additions should not be mistaken for details captured by Dad’s original camera.

Presented side by side, the photographs show how digital restoration can make an old image easier to appreciate while preserving the original as the historical source.

A Moment He Chose to Capture

I don’t know exactly what prompted Dad to take this particular photograph. Perhaps he was testing his camera, experimenting with lighting, or simply enjoying photography.

What I do know is that he took the time to set up the shot and develop the result. This remains one of my favorite photographs of Dad, because it is how I remember him.

Decades later, I’m using a very different set of tools to work with the image he created. He worked with film, chemicals, and photographic paper; I’m working with digital restoration and AI.

Different tools, different generations—but both of us, in our own ways, working to bring a photograph to life.

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